https://www.badosa.com
Published at Badosa.com
Cover Library Short Stories The Fictile Word

The Ushuaia Rabbit

Fernando Sorrentino
Smaller text sizeDefault text sizeBigger text size Add to my bookshelf epub mobi Permalink MapNear the embankment of the San Martín railroad, Buenos Aires

I just read this in a news­pa­per: “After long months of fu­tile at­tempts and sev­er­al ex­pe­di­tions, a group of Ar­gen­tine sci­en­tists has suc­ceed­ed in cap­tur­ing an Ushua­ia rab­bit, thought to be ex­tinct for over a cen­tu­ry. The sci­en­tists, head­ed by Dr. Adrián Bertoni, caught the rab­bit in one of the many forests that sur­round the Patag­on­ian city...”

As I pre­fer specifics to gen­er­al­i­ties, and pre­ci­sion to tran­sience, I would have said “in such and such a for­est lo­cat­ed in such a spot in re­la­tion to the cap­i­tal of Tier­ra del Fuego.” But we can’t ex­pect blood from a turnip or any in­tel­li­gence what­so­ev­er from jour­nal­ists. Dr. “Adrián Bertoni” is yours truly, and of course they had to mis­spell my name. My exact name is Andrés Bertol­di, and I am, in fact, a doc­tor of nat­ur­al sci­ences, spe­cial­iz­ing in Zo­ol­o­gy and Ex­tinct, or En­dan­gered, Species.

The Ushua­ia rab­bit is not ac­tu­al­ly a lago­morph, much less a lep­orid. It’s not even cer­tain that its habi­tat is the forests of Tier­ra del Fuego. More­over, not one has ever lived on the Isla de los Es­ta­dos. The rab­bit I caught—I alone, with no spe­cial equip­ment or help from any­one—showed up in the city of Buenos Aires near the em­bank­ment of the San Martín rail­road, which runs par­al­lel to Av­enue Juan B. Justo where it cross­es Soler Street in the dis­trict of Paler­mo.

Far from look­ing for the Ushua­ia rab­bit, I had other wor­ries and was head­ed down the side­walk of Juan B. Justo, a bit down­cast. It was hot, and I had some un­pleas­ant, not to say wor­ri­some, busi­ness to do at the bank on Santa Fe Av­enue. Be­tween the em­bank­ment and the side­walk there is a wire mesh fence sup­port­ed by a low wall; on the other side of the fence, I spot­ted the Ushua­ia rab­bit.

I rec­og­nized it in­stant­ly, how could I not? But I was struck by the fact that it re­mained so still, for this an­i­mal is nor­mal­ly jumpy and rest­less. I thought it might be wound­ed.

Be that as it may, I backed up a few me­ters, climbed the fence, and low­ered my­self cat­like to the ground. I ad­vanced stealth­ily, fear­ing at each mo­ment that the Ushua­ia rab­bit would take fright, and in that case, who could catch it? It is one of the fastest an­i­mals in cre­ation; though the chee­tah is swifter in ab­solute terms, it is not in rel­a­tive terms.

The Ushua­ia rab­bit turned and looked at me. Con­trary to my ex­pec­ta­tions, how­ev­er, it did not flee, but kept still, with the sole ex­cep­tion of the sil­ver tuft of feath­ers that shook as if to chal­lenge me.

I took off my shirt and wait­ed, stock still and bare-skinned.

“Easy, easy, easy...” I kept say­ing.

When I got close I slow­ly de­ployed the shirt as if it were a net, and sud­den­ly, in one quick swoop, I had it over the rab­bit, wrap­ping it up in a neat pack­age. Using the sleeves and the shirt­tail, I tied a strong knot, al­low­ing me to hold the bun­dle in my right hand and use my left to ne­go­ti­ate the fence once more and re­turn to the side­walk.

I could not, of course, show up at the bank shirt­less, much less with the Ushua­ia rab­bit. Thus I head­ed home. I have an eighth-floor apart­ment on Nicaragua Street, be­tween Car­ran­za and Bon­pland. At a hard­ware store I picked up a bird­cage of con­sid­er­able size.

The door­keep­er was wash­ing the side­walk in front of our build­ing. See­ing me bare-chest­ed, with a cage in my left hand and a rest­less white bun­dle in my right, he looked at me with more as­ton­ish­ment than dis­ap­proval.

As bad luck would have it, a neigh­bor fol­lowed me in from the street and into the el­e­va­tor. With her was her lit­tle dog, an ugly, dis­gust­ing an­i­mal. Upon pick­ing up the smell—un­no­ticed by human be­ings—of the Ushua­ia rab­bit, it erupt­ed in ear­split­ting barks. On the eighth floor I was able to rid my­self of that woman and her sten­to­ri­ous night­mare.

I locked the door with my key, pre­pared the cage, and with in­fi­nite care began un­wrap­ping the shirt, try­ing not to upset, or worse, to hurt the Ushua­ia rab­bit. How­ev­er, being shut in had an­gered it, and when I opened the cage door I couldn’t stop the rab­bit from hit­ting my arm with a stinger. I had suf­fi­cient pres­ence of mind not to let the pain in­duce me to let go, and I fi­nal­ly man­aged to ma­neu­ver it safe­ly back into the cage.

In the bath­room I washed the wound with soap and water, and, right away, with med­i­c­i­nal al­co­hol. It then oc­curred to me that I ought to head to the phar­ma­cy for a tetanus shot, which I did with­out wast­ing any time.

From the phar­ma­cy I went straight to the bank to con­clude the cursed busi­ness that had been post­poned be­cause of the Ushua­ia rab­bit. On the way back I picked up sup­plies.

Since it lacks a mas­ti­ca­to­ry ap­pa­ra­tus dur­ing the day, the most prac­ti­cal thing was to cut up the lights into lit­tle pieces and mix in some milk and chick­peas; I then stirred it all to­geth­er with a wood­en spoon. After sniff­ing the con­coc­tion, the Ushua­ia rab­bit ab­sorbed it with no prob­lem, just very slow­ly.

Its process of ex­pan­sion be­gins at sun­set. I there­fore trans­ferred the few pieces of liv­ing room fur­ni­ture—two mod­est arm­chairs, a loveseat, and an end table—to the din­ing room, push­ing them up against the din­ing table and chairs.

Be­fore it was too big to get past the door, I made sure it left the cage. Now free and com­fort­able, it was able to grow as need­ed. In this new state, it com­plete­ly lost its ag­gres­siv­i­ty, and now be­came ap­a­thet­ic and lazy. When I saw its vi­o­let scales pop out—a sign of sleepi­ness—I head­ed for the bed­room, went to bed, and called it a day.

The next morn­ing the Ushua­ia rab­bit had re­turned to the cage. In view of this docil­i­ty, I felt it was un­nec­es­sary to shut the door. Let it de­cide when to be in­side or out of its prison.

The in­stincts of the Ushua­ia rab­bit are in­fal­li­ble. Every evening it would leave the cage and ex­pand like a fair­ly thick pud­ding on the liv­ing room floor.

As is well known, its feces are pro­duced at mid­night on odd days. If one col­lects (in the spir­it of play, nat­u­ral­ly) these lit­tle green metal­lic poly­he­drons in a sack and shakes them, they make a love­ly sound, with a rather Caribbean rhythm.

To tell the truth, I have lit­tle in com­mon with Vane­sa Gonçalves, my girl­friend. She is con­sid­er­ably dif­fer­ent from me. In­stead of ad­mir­ing the many pos­i­tive qual­i­ties of the Ushua­ia rab­bit, she thought best to skin it in order to have a fur coat made for her­self. This can be done at night when the an­i­mal is elon­gat­ed and the sur­face of its skin is broad enough that the car­ti­lagi­nous ridges are dis­placed to the edges and don’t get in the way of the in­ci­sion and cut­ting. I did not want to help her do this op­er­a­tion. Armed with only dress­mak­ing scis­sors, Vane­sa re­lieved the Ushua­ia rab­bit of all the skin on its back. In the bath­tub, with de­ter­gent and run­ning water, a brush and bleach, she washed off any amber or bile that re­mained on the skin. Then she dried it with a towel, fold­ed it, put it in a plas­tic bag, and very hap­pi­ly took it off to her house.

It only takes eight to ten hours for the skin to com­plete­ly re­gen­er­ate. Vane­sa had vi­sions of a great scheme: each night she could skin the Ushua­ia rab­bit and sell its fur. I would not allow it. I did not want to con­vert a sci­en­tif­ic dis­cov­ery of such im­por­tance into a vul­gar com­mer­cial en­ter­prise.

How­ev­er, an eco­log­i­cal so­ci­ety re­port­ed the deed, and a paid an­nounce­ment came out in the pa­pers ac­cus­ing “Va­le­ria González”—and, by as­so­ci­a­tion, me—of cru­el­ty to an­i­mals.

As I knew would hap­pen, the onset of au­tumn re­stored the rab­bit’s tele­path­ic lan­guage, and al­though its cul­tur­al mi­lieu is lim­it­ed, we were able to have agree­able con­ver­sa­tions and even to es­tab­lish a kind of, how shall I say, code of co­ex­is­tence.

The rab­bit let me know that it was not par­tial to Vane­sa, and I had no trou­ble un­der­stand­ing why. I asked my girl­friend not to come to the house any more.

Per­haps in grat­i­tude, the Ushua­ia rab­bit per­fect­ed a way of ex­pand­ing less at night, so that I was able to bring all the fur­ni­ture back to the liv­ing room. It sleeps on the loveseat and de­posits its metal­lic poly­he­drons on the rug. It never eats to ex­cess, and in this as in every­thing else, its con­duct is mea­sured and wor­thy of praise and re­spect.

The rab­bit’s del­i­ca­cy and ef­fi­cien­cy reached the ex­treme of ask­ing me what would be, for me, its ideal day­time size. I said I would have pre­ferred the size of a cock­roach, but I re­al­ized that such a small size put the Ushua­ia rab­bit in dan­ger of being stepped on (though not of being killed).

After sev­er­al at­tempts, we de­cid­ed that at night the Ushua­ia rab­bit would con­tin­ue to ex­pand to the size of a very large dog or even a leop­ard. Dur­ing the day, the ideal would be that of a medi­um-sized cat.

This al­lows me, when I am watch­ing tele­vi­sion, for ex­am­ple, to have the Ushua­ia rab­bit on my lap where I can stroke it ab­sent­mind­ed­ly. We have formed a solid friend­ship, and some­times we need only look at each other for mu­tu­al un­der­stand­ing. Nev­er­the­less, these tele­path­ic fac­ul­ties that func­tion dur­ing the win­ter months dis­ap­pear with the first warm spells.

We are now in the last month of win­ter. The Ushua­ia rab­bit is aware that for the next six months it will not be able to ask me ques­tions or make sug­ges­tions or re­ceive ad­vice or con­grat­u­la­tions from me.

Late­ly it’s fall­en into a kind of repet­i­tive mania. It tells me, as if I didn’t know, that it is the only sur­viv­ing Ushua­ia rab­bit in the world. It knows it has no way of re­pro­duc­ing, but—though I have asked many times—the rab­bit has never said whether it is both­ered by this or not.

More­over, the rab­bit con­tin­u­ous­ly asks me—every day and sev­er­al times a day—whether there is any use for it to go on liv­ing like this, alone in the world, with me yes, but with­out other crea­tures of its own kind. There is no way it can kill it­self, and there is no way I could—and even if there were, I would never do it—kill such a sweet, af­fec­tion­ate an­i­mal.

And so, as long as we ex­pe­ri­ence the last cold spells of the year, I con­tin­ue to con­verse with the Ushua­ia rab­bit, stroking it ab­sent­mind­ed­ly. When warm weath­er re­turns, I shall only be able to stroke it.

Translation: Michele Aynesworth
Table of related information
Copyright ©Fernando Sorrentino, 2008
By the same author RSS
Date of publicationApril 2009
Collection RSSThe Fictile Word
Permalinkhttps://badosa.com/n319-en
Readers' Opinions RSS
Your opinion
How to add an image to this work

Besides sending your opinion about this work, you can add a photo (or more than one) to this page in three simple steps:

  1. Find a photo related with this text at Flickr and, there, add the following tag: (machine tag)

    To tag photos you must be a member of Flickr (don’t worry, the basic service is free).

    Choose photos taken by yourself or from The Commons. You may need special privileges to tag photos if they are not your own. If the photo wasn’t taken by you and it is not from The Commons, please ask permission to the author or check that the license authorizes this use.

  2. Once tagged, check that the new tag is publicly available (it may take some minutes) clicking the following link till your photo is shown: show photos ...

  3. Once your photo is shown, you can add it to this page:

Even though Badosa.com does not display the identity of the person who added a photo, this action is not anonymous (tags are linked to the user who added them at Flickr). Badosa.com reserves the right to remove inappropriate photos. If you find a photo that does not really illustrate the work or whose license does not allow its use, let us know.

If you added a photo (for example, testing this service) that is not really related with this work, you can remove it deleting the machine tag at Flickr (step 1). Verify that the removal is already public (step 2) and then press the button at step 3 to update this page.

Badosa.com shows 10 photos per work maximum.

Badosa.com Idea, design & development: Xavier Badosa (1995–2018)