https://www.badosa.com
Published at Badosa.com
Cover Library Short Stories The Fictile Word

Essence and Attribute

Fernando Sorrentino
Smaller text sizeDefault text sizeBigger text size Add to my bookshelf epub mobi Permalink MapZoo, Buenos Aires

On July 25, as I tried to hit letter A, I noticed a slight wart on the pinky of my left hand. On the 27th it seemed considerably larger. On the third of August, with the help of a jeweler’s loupe, I was able to discern its shape. It was a sort of diminutive elephant: the world’s smallest elephant, yes, but an elephant complete down to the smallest detail. It was attached to my finger at the end of its little tail. So that, while it was my pinky finger’s prisoner, it nevertheless enjoyed freedom of movement except that its locomotion completely depended on my will.

Proudly, fearfully, hesitatingly I exhibited him to my friends. They were revolted, they said it couldn’t be good to have an elephant on one’s pinky, they advised me to consult a dermatologist. I scorned their words, I consulted with no one, I had nothing further to do with them, I gave myself over entirely to studying the evolution of the elephant.

Toward the end of August it was already a handsome little gray elephant the length of my pinky although quite a bit thicker. I played with him all day. At times I was pleased, to annoy him, to tickle him, to teach him to do somersaults and to jump over tiny obstacles: a match box, a pencil sharpener, an eraser.

At that time it seemed appropriate to christen him. I thought of several silly, and apparently traditional, names worthy of an elephant: Dumbo, Jumbo, Yumbo..., Finally, I ascetically decided to call him just plain Elephant.

I loved to feed Elephant. I scattered over the table bread crumbs, lettuce leaves, bits of grass. And out there at the edge, a piece of chocolate. Then Elephant would struggle to get to his treat. But if I held my hand tight, Elephant never could reach it. In this way I confirmed the fact that Elephant was only a part—the weakest part—of myself.

A short time later—when Elephant had acquired the size of a rat, let us say—I could no longer control him so easily. My pinky was too puny to withstand his impetuousness.

At that time I still was under the misapprehension that the phenomenon consisted solely of Elephant’s growth. I was disabused of this idea when Elephant reached the size of a lamb: on that day I too was the size of a lamb.

That night—and a few others too—I slept on my stomach with my left hand protruding from the bed: on the floor beside me slept Elephant. Afterwards I had to sleep—face down, my head on his croup, my feet on his back—on top of Elephant. Almost immediately I found just a portion of his haunch to be sufficient. Afterward, his tail. Afterward, the very tip of his tail, where I was only a small wart, totally imperceptible.

At that time I was afraid I might disappear, cease to be me, be a mere millimeter of Elephant’s tail. Later I lost that fear, I regained my appetite. I learned to feed myself with leftover crumbs, with grains of birdseed, with bits of grass, with almost microscopic insects.

Of course this was before. Now I have come to occupy once again a more worthy space on Elephant’s tail. True, I am still aleatory. But I can now get hold of an entire biscuit and watch—invisibly, inexpugnably—the visitors to the Zoo.

At this stage of the game I am very optimistic. I know that Elephant has begun to shrink. As a result, I am filled with an anticipated feeling of superiority by the unconcerned passers-by who toss biscuits to us, believing only in the obvious Elephant they have before them without suspecting that he is no more than a future attribute of the latent essence which still lies in wait.

Translation: Clark M. Zlotchew
Table of related information
Copyright ©Fernando Sorrentino, 1982
By the same author RSS
Date of publicationSeptember 2005
Collection RSSThe Fictile Word
Permalinkhttps://badosa.com/n242-en
Readers' Opinions RSS
Your opinion
How to add an image to this work

Besides sending your opinion about this work, you can add a photo (or more than one) to this page in three simple steps:

  1. Find a photo related with this text at Flickr and, there, add the following tag: (machine tag)

    To tag photos you must be a member of Flickr (don’t worry, the basic service is free).

    Choose photos taken by yourself or from The Commons. You may need special privileges to tag photos if they are not your own. If the photo wasn’t taken by you and it is not from The Commons, please ask permission to the author or check that the license authorizes this use.

  2. Once tagged, check that the new tag is publicly available (it may take some minutes) clicking the following link till your photo is shown: show photos ...

  3. Once your photo is shown, you can add it to this page:

Even though Badosa.com does not display the identity of the person who added a photo, this action is not anonymous (tags are linked to the user who added them at Flickr). Badosa.com reserves the right to remove inappropriate photos. If you find a photo that does not really illustrate the work or whose license does not allow its use, let us know.

If you added a photo (for example, testing this service) that is not really related with this work, you can remove it deleting the machine tag at Flickr (step 1). Verify that the removal is already public (step 2) and then press the button at step 3 to update this page.

Badosa.com shows 10 photos per work maximum.

Badosa.com Idea, design & development: Xavier Badosa (1995–2018)