Adolfo Bernard was in his practice, visibly nervous. His right foot moved up and down, banging the floor in a rapid rhythm, while his left hand fiddled with his big moustache. He had been entrusted with a delicate, decisive task, to draft the fraud lawsuit against Juana Artigas and her accomplice Álvez. At exactly nine in the morning, the doorbell rang. Outside the door was Alicia Sandrelli, accompanied by Fernando Ridenti and Federico Lizter.
“Hello there,” said Adolfo, “I’ve just finished, I don’t think I’ve forgotten anything. I’ve included everything, even the tiniest details, I want the story to be quite clear.”
“Are you satisfied?” asked Federico.
“Yes, I think it’s consistent, but it sounds like a television soap opera. The judge will be surprised when he reads it.”
“I don’t doubt it,” assured Fernando. “Has Estela Cáceres already been to sign it?”
“No, any moment now,” said Adolfo Bernard. “And you, how are you, Alicia? You’re looking well.”
“Thank you, I’m trying to fix my mistakes, I don’t know what you’ll think of me.”
“I haven’t changed my opinion of you,” answered Adolfo.
“Was I bad from the beginning?” asked Alicia.
“Don’t be silly,” said Fernando, “let’s put masochism to one side for a while, eh?”
“You’re right,” answered the girl, “but I feel a bit ashamed being with you three, after what happened...I promise to shut up...”
“Right, Argentineans to work!” exclaimed Federico with a smile, “let me read the presentation.”
Approximately twenty minutes later, Estela Cáceres arrived; her face reflected the terrible tension she had suffered over the last few hours. She was pale and wrinkled, with big dark bags under her eyes. Evidently she had been unable to sleep. They all tried to calm her down by treating her well. They offered her a seat nicely and explained the details of the procedure. They had decided that Roberto Burán would act alone as plaintiff; Alicia and Estela would be no more than witnesses. The idea was to make Estela Cáceres sign a complete statement, so that later on she wouldn’t change her mind about telling the truth, which could happen if Álvez intimidated her.
Álvez’s secretary took the paper they wanted her to sign in trembling hands. She could hardly speak. Stammering, she said, “All... right. This... is... what I’d said.”
And she signed with a flourish.... Everyone looked at each other with relief: the fundamental step had been taken. They couldn’t achieve anything without that woman.
She looked at Fernando with anxious eyes, saying, “Doctor Ridenti, I have in my power the details of the apartment that Esteban rents; I made a photocopy of the certificate of community expenses. But beforehand, forgive me, I’d like you to keep your word. It’s not that I don’t trust you, but it’s important to me...”
“Of course, Estela,” acknowledged Fernando, who took a bundle of green notes out of his pocket and gave them to the frightened woman.
“Count them, Estela, just in case, although I’ve already checked the amount. There’s ten thousand dollars, as we agreed. Are you satisfied?”
“Yes,” answered Estela Cáceres, holding the money tightly in her hands, as if she was afraid of being robbed.
“Doctor Ridenti,” Estela continued, “if you manage to find the sperm, remember what you promised me, won’t you?”
“Of course,” said Fernando, “three thousand dollars more. Relax, you’ll get them... As long as you keep your word with us, there’ll be no problems.”
Adolfo couldn’t help interfering:
“The only thing we ask is that you tell the whole truth, that you collaborate with us as agreed. As friends, we’re very loyal, unless we’re betrayed we always will be. If we were swindled, we’d be dangerous enemies. That’s clear, isn’t it?”
Estela Cáceres started to tremble, her teeth chattered, her eyes filled with tears. In a voice choked with emotion, she whispered, “I’m... not... going to... betray you. I... swear.”
Fernando thought it was necessary to lighten the atmosphere.
“All right, Estela, don’t worry, there’s no need to be frightened of us... Understand that we’re defending an innocent man and trying to save a child. Our cause is just, don’t forget... You’ll have your prize, you can be absolutely sure. I’ll take you home... I don’t think you’d better go to work today. Álvez would realise something’s up, you wouldn’t be able to hide it...”
“And... what am I...going to... tell him?” asked Estela.
“That you’re ill,” answered Adolfo, “simple as that.” Don’t worry about anything else, Álvez won’t be able to harm you with sanctions. You’ll resign anyway as soon as we’ve done the search in his house. In the meantime, you should keep quiet, he mustn’t suspect anything. Remember you’ve got three thousand dollars to come, don’t do anything that would mean losing them. If he phones you, get your mother to answer. She should tell him you’ve got a sore throat, you’ve lost your voice, any pretext. Don’t talk to him, we don’t want to risk him noticing something strange in your way of expressing yourself; you’re very worked up, do you understand?”
Álvez’s secretary was still trembling, she was terrified of Adolfo Bernard, he had decided to be forceful and authoritarian. He considered a degree of pressure absolutely necessary so that she wouldn’t deny her statements at a later date. He knew the gynaecologist had a lot of influence over her, that she loved him in a sick way. Neither did he rule out the possibility that he might even offer her money. Estela Cáceres was the fundamental piece in their strategy, they couldn’t allow themselves the luxury of losing her. Before she left, Adolfo insisted:
“Excuse me, Estela, I want to underline something: is it clear that you mustn’t speak to Álvez?”
“Yes, Doctor,” whispered Estela.
“Good,” added Adolfo, “don’t forget, we’ll be watching you, for your personal protection, of course. We’ve hired a private investigator who’ll keep guard at your apartment. No one will be allowed to enter, unless you want them to. Don’t commit the imprudence of opening the door to Álvez or any envoy of his, understood?”
“Yes, yes,” answered the anguished secretary.
Fernando left with the woman to take her home. Federico Lizter and Adolfo Bernard would bring the lawsuit to the court, there Roberto would sign it and they would present it in court. They planned to hand it in to the judge themselves, so that no comments about the lawsuit could be leaked. Álvez was very well known, someone could warn him of what was happening. That kind of news usually proved expensive; any mistake implied the risk of failure and if Álvez found out, he’d make all the evidence disappear.
|Copyright ©||Ricardo Ludovico Gulminelli, 1990|
|By the same author|
|Date of publication||October 2002|
Wonderful. I think that the story is fascinating, the situacion is provocative, and the end is surprising. Congratulations. It's a fantastic book. I'm so happy to have found it.
In my opinion, Ricardo Ludovico Gulminelli is an excellent writer... I'm from Miami Beach (Florida) and I have been studying Spanish since 1999 and I'm very happy indeed that I had the opportunity to be able to read this wonderful book. I know that I liked it because he described everything so well, as if he had lived it, and I felt very identificated. I hope to read more materials from Ricardo Ludovico Gulminelli. Thank you!
I fell in love after reading the description of the character Roberto Burán of Fraudulent Fertilisation (Episode 11). The man I am currently dating is so much like him... except, he's not an Attorney. I work with Attorneys. I'm a legal assistant... and I think Attorneys are so fascinating!
Me gustó la obra: me hizo sentir deseos de seguir leyendo página a página, no sólo por la trama, también porque me sentí identificado con su protagonista, su forma de ver las relaciones, su concepto de la mujer como compañera e igual. Hay también manifestaciones sobre determinados temas (aborto, matrimonio) que comparto y me hicieron reforzar mis propias opiniones.
Soy un asiduo lector y hacía mucho tiempo que un libro no me despertaba tantas emociones. Gracias a Badosa por publicar libros así (además gratuitos).
Creo que se trata de una novela-folletín que, en cuanto atañe a aspectos judiciales, está muy bien documentada; se nota que el autor procede de la abogacía y judicatura. En el e-mail que le envié, le dije que vale más un folletín bien relatado que novela suspirada, pero no conseguida. Salut i tenis-sala.
Como escribe de lo que entiende, se le entiende todo lo que escribe. Salut i tenis-sala.
Éste ha sido un gran libro, donde el lector se va adentrando a la vida de cada uno de los personajes, es un libro bien documentado en cada uno de los temas a los que se refiere. Debo felicitar a Badosa.com por brindarnos este servicio.
Mi opinión es que es una historia excelente. Me atrapó verdaderamente leer el libro, me enseñó, comprendí lo complejo que puede ser un tema que parece tan simple. Es un orgullo tener académicos de tan alto estirpe, espero que el Dr. Ricardo Gulminelli haga otras obras tan interesantes como es Fecundación fraudulenta.
Es un libro muy interesante, muy bien planteado, que lo atrapa en su lectura de principio a fin. Lo recomiendo ampliamente.
Inquietante la secretaria, se llama Estela, como mi hermana ídem de un médico... Un saludo Ricardo,
Un libro que atrapa, una historia plausible, muy bien tratado el tema, mis felicitaciones para el Dr Ricardo Gulminelli.
Besides sending your opinion about this work, you can add a photo (or more than one) to this page in three simple steps:
Find a photo related with this text at Flickr and, there, add the following tag: (machine tag)
To tag photos you must be a member of Flickr (don’t worry, the basic service is free).
Choose photos taken by yourself or from The Commons. You may need special privileges to tag photos if they are not your own. If the photo wasn’t taken by you and it is not from The Commons, please ask permission to the author or check that the license authorizes this use.
Once tagged, check that the new tag is publicly available (it may take some minutes) clicking the following link till your photo is shown: show photos
Even though Badosa.com does not display the identity of the person who added a photo, this action is not anonymous (tags are linked to the user who added them at Flickr). Badosa.com reserves the right to remove inappropriate photos. If you find a photo that does not really illustrate the work or whose license does not allow its use, let us know.
If you added a photo (for example, testing this service) that is not really related with this work, you can remove it deleting the machine tag at Flickr (step 1). Verify that the removal is already public (step 2) and then press the button at step 3 to update this page.
Badosa.com shows 10 photos per work maximum.